CA Mirroring the Four Shields of Human Nature: The Art of Story Telling and Listening

Date: 
Sep 22nd, 2019 - Sep 27th, 2019

Telling one’s own story is an ancient art. Nowadays, we have forgotten how to listen and how to tell. Yet the very survival of our species depends on our ability to communicate with each other in such ways as to be mutually enriched by the telling and the listening. If we cannot tell with expression, our life is mute. If we cannot listen like a mirror, we cannot reflect back the wholeness of the four shields -- the body, soul, mind and spirit of the teller. The best stories are about human nature -- that is, the human of us which is, after all, nature in her basic manifestations as physical, psychical, rational, and spiritual. One of the best ways to create a four shields story, if not the best, is to put people in contact with nature in the raw.

What comes forth in the story is the stuff of self-transformation. Even as we “myth” ourselves into experience, so we express ourselves into existence. Our stories about our natural selves, and our means of expressing them, lead us to courage, determination, commitment, hope, wisdom, and the will to survive, to transcend the difficulty, to go beyond ourselves. Those of us who work with people must know how to listen and respond to the stories our people tell, so that we can help them create a life that is deeper, richer, and of greater benefit to our community and the earth. 

 

Humans need stories — grand compelling stories — that help to orient us in our lives in the cosmos. The Epic of Evolution is such a story, beautifully suited to anchor our search for planetary consensus, telling us of our nature, our place, our context. Moreover, responses to this story — what we are calling religious naturalism — can yield deep and abiding spiritual experiences. And then, after that, we need other stories as well, human-centered stories, a mythos that embodies our ideals and our passions. This mythos comes to us, often in experiences called revelation, from the sages and the artists of past and present times.

Ursula Goodenough 

 

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